Vol. 17 No. 1 (2021)

Wooden heritage of Świętego Piątka St. in Zamość. Problems and ideas for the preservation of a vanishing landscape

Katarzyna Kielin

7-13

published: 2021-12-30

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Pioneering exploration of the mountains expressed through architecture

Dariusz Kronowski

14-28

published: 2021-12-30

PDF (Język Polski)

Industrial architecture in Mieczysław Wolski’s factory at ul. 1 Maja 16 in Lublin

Karol Krupa, Krzysztof Janus

29-38

published: 2021-12-30

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Analysis of the endangered monuments in the Masovian Voivodeship, excluding Warsaw

Emilia Dudzińska

39-44

published: 2021-12-30

PDF

Saint Nicolas’ Church on the Czwartek Hill in view of current research

Karol Krupa, Krzysztof Janus

45-54

published: 2021-12-30

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Forgotten academic modernism in the reconstruction of downtown Le Havre by Auguste Perret

Paweł Piotr Szumigała, Karolina Olenia Szumigała

55-67

published: 2021-12-30

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Proposal for synergic management and energy saving in a housing estate based on residents' opinion – example of Lublin

Anna Ostańska

68-78

published: 2021-12-30

PDF (Język Polski)

Konserwacja kościoła pw. św. Jana Apostoła i Ewangelisty na Harendzie w ujęciu koncepcji „żywego dziedzictwa“

Katarzyna Banasik-Petri , Ewa Tymcik, Maria Petri

79-89

published: 2021-12-30

PDF (Język Polski)

Vol. 17 No. 1 (2021):

Full Issue

Articles

Wooden heritage of Świętego Piątka St. in Zamość. Problems and ideas for the preservation of a vanishing landscape

Pioneering exploration of the mountains expressed through architecture

Industrial architecture in Mieczysław Wolski’s factory at ul. 1 Maja 16 in Lublin

Analysis of the endangered monuments in the Masovian Voivodeship, excluding Warsaw

Saint Nicolas’ Church on the Czwartek Hill in view of current research

Forgotten academic modernism in the reconstruction of downtown Le Havre by Auguste Perret

Proposal for synergic management and energy saving in a housing estate based on residents' opinion – example of Lublin

Konserwacja kościoła pw. św. Jana Apostoła i Ewangelisty na Harendzie w ujęciu koncepcji „żywego dziedzictwa“

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