Authenticity and Interpretation for the Personal Appropriation of Heritage in Museums
Michela Benente
michela.benente@polito.itPolitecnico di Torino, Dipartimento di Architettura e Design (Italy)
https://orcid.org/0000-0002-9310-7143
Valeria Minucciani
Politecnico di Torino, Dipartimento di Architettura e Design (Italy)
https://orcid.org/0000-0003-1304-5657
Abstract
This chapter discusses theoretical approaches to accessibility, and transitions to the broader topic of inclusion, specifically referring to museums. The contribution stresses knowledge about audiences, which is necessary to foster inclusivity and overcome “dedicated” mediation tools and activities, aiming at (re)conquering disaffected and unused publics. It also identifies certain misunderstandings, e.g. regarding “cultural accessibility” and “persons with difficulties.”
This chapter underlines the following constraints and opportunities in access to culture: authenticity and interpretation; interpretation as a hermeneutic circle involving different configurations of the sender-receiver-context triad; importance of the spatial context of communication as the first element in interpretation or mediation; accessibility to cultural contents (importance of the physical, social and economic context; the role of cognitive
processes; the importance of the individuals cultural background; emotional involvement; and finally, references to recent neurophysiological research conducted by the authors.
In this contribution, authors argue cultural accessibility to be a self-appropriation process, both intellectual and emotional: predominantly individual but closely interconnected with relational processes. Cultural appropriation intended in this way has nothing to do with political and social claims but should rather constitute the ultimate goal of heritage communication. Finally, the chapter highlights possible perspectives that require dedicated professional
paths, updated composition of staff (the figure of architects-museographers as a permanent presence, since communication cannot be separated from the space in which it takes place); and new good practices.
Keywords:
cultural appropriation, cultural encounter, cultural inclusion, inclusive museographyReferences
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Authors
Michela Benentemichela.benente@polito.it
Politecnico di Torino, Dipartimento di Architettura e Design Italy
https://orcid.org/0000-0002-9310-7143
Authors
Valeria MinuccianiPolitecnico di Torino, Dipartimento di Architettura e Design Italy
https://orcid.org/0000-0003-1304-5657
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