RETHINKING MAIURI: ENHANCEMENT OF STUCCO FINDINGS FROM THE HERCULANEUM ARCHAEOLOGICAL PARK
Filippo Edoardo Capasso
Higher School of Conservation and Restoration of the Cultural Heritage in Matera (Włochy)
https://orcid.org/0000-0001-7258-1703
Francesca Castiello
Higher School of Conservation and Restoration of the Cultural Heritage in Matera (Włochy)
https://orcid.org/0000-0002-6075-5224
Simona Dichiara
Higher School of Conservation and Restoration of the Cultural Heritage in Matera (Włochy)
https://orcid.org/0000-0002-4375-2742
Manuel Giandomenico
Higher School of Conservation and Restoration of the Cultural Heritage in Matera (Włochy)
https://orcid.org/0000-0001-6994-0453
Natalie Iacopino
Higher School of Conservation and Restoration of the Cultural Heritage in Matera (Włochy)
https://orcid.org/0000-0001-6531-6426
Erika Maddalena
Higher School of Conservation and Restoration of the Cultural Heritage in Matera (Włochy)
https://orcid.org/0000-0002-0507-2121
Camilla Mauri
Higher School of Conservation and Restoration of the Cultural Heritage in Matera (Włochy)
https://orcid.org/0000-0001-6415-3426
Sokol Muca
Higher School of Conservation and Restoration of the Cultural Heritage in Matera (Włochy)
https://orcid.org/0000-0002-6715-5969
Mariagiulia Roscigno
Higher School of Conservation and Restoration of the Cultural Heritage in Matera (Włochy)
https://orcid.org/0000-0001-8047-5222
Sofia Schiattone
Higher School of Conservation and Restoration of the Cultural Heritage in Matera (Włochy)
https://orcid.org/0000-0002-9026-344X
Abstrakt
The subject of this study is a group of ninety stucco fragments from the Herculaneum Archeological Park, which were part of the decoration of the Tetrapylon’s barrel vault located in the Decumanus Maximus. The archaeologist Amedeo Maiuri, former superintendent of the site, had been displaying them in a cabinet within a nearby domus, as part of his project of an open air museum, while other parts of the stucco decoration were repositioned in situ, with large lacunas. Our project’s aim has been to develop a new exhibition solution, pursuing an accurate recovery of the overall volume of the decoration, meeting the requirements of reversibility and stability of conservation-restoration treatments, while allowing further updates through new findings. Considering the wide range of methods at our disposal, the most effective technical support in matching the fragments, and acquiring accurately the shape has shown to be the 3D scanning and modeling.
Słowa kluczowe:
Stucco fragments, Hercolaneum, Roman architecture, Amedeo Maiuri, 3D acquisition, reconstruction proposal, integrationBibliografia
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Brandi, C. (1977). Teoria del restauro. Torino: Giulio Einaudi Editore - Piccola Biblioteca Einaudi Ns.
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Camardo, D. & Notomista, M. (2017). Ercolano 1927 – 1961: L’impresa archeologica di Amedeo Maiuri e l’esperimento della città museo. Roma: L’Erma Bretschneider
Camardo, D. & Esposito, D. (2013). La Basilica Noniana di Ercolano. In: (Eds. von Hesberg H., Freyberger K. S.) Mitteilungen des, Romische Abteilung, vol. 119 (pp. 221-258), Rome: Deutschen Archaologischen Instituts.
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Pesando, F. & Guidobaldi, M. P. (2006) Pompei Oplontis, Ercolano, Stabiae. Bari: Laterza.
Russo, M., Remondino, F.; Guidi, G. (2011) Principali tecniche e strumenti per il rilievo tridimensionale in ambito archeologico. In: (Eds. Moscati P.) Archeologia e calcolatori n°22, (pp.169-198). Firenze: All’Insegna del Giglio.
Stanco, F., Battiato, S. & Gallo, G (2011) Digital Imaging for Cultural Heritage Preservation: Analysis, Restoration and Reconstruction of Ancient Artworks. New York: Taylor & Francis Group.
Torelli, M. (2004) La Basilica di Ercolano. Una proposta di lettura. In: (Eds. Baggio M., Colpo I., Salvo G.) Eidola n°1, (pp. 117-149). Pisa-Roma: Fabrizio Serra Editore.
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Balzani, M. et al. (2004). Digital representation and multimodal presentation of archeological graffiti at Pompeii. In: VAST04 (Eds. Cain K., Chrysanthou Y., Niccolucci F., Silberman N.) The 5th International Symposium on Virtual Reality, Archaeology and Cultural Heritage (pp. 1-11). Aire-la Ville: The Eurographics Association.
Brandi, C. (1963). Teoria del restauro: lezioni raccolte da L. Vlad. Borrelli, J. Raspi Serra, G. Urbani ... Con una bibliografia generale dell’autore. Roma: Edizioni di Storia e letteratura.
Brandi, C. (1977). Teoria del restauro. Torino: Giulio Einaudi Editore - Piccola Biblioteca Einaudi Ns.
Brandi, C. (2005). Theory of Restoration. Edited by Giuseppe Basile and the Istituto Centrale per il Restauro, translated by Cynthia Rockwell. With presentations by Giuliano Urbani, Nicholas Stanley-Price, Caterina Bon Valsassina, with texts by Giuseppe Basile, Paul Philippot, Giulio Carlo Argan, Cesare Brandi. Firenze: Nardini Editore.
Camardo, D. & Notomista, M. (2017). Ercolano 1927 – 1961: L’impresa archeologica di Amedeo Maiuri e l’esperimento della città museo. Roma: L’Erma Bretschneider
Camardo, D. & Esposito, D. (2013). La Basilica Noniana di Ercolano. In: (Eds. von Hesberg H., Freyberger K. S.) Mitteilungen des, Romische Abteilung, vol. 119 (pp. 221-258), Rome: Deutschen Archaologischen Instituts.
Colalucci, G. & Giantomassi, C. (2006). I lavori di ricostruzione degli affreschi della cappella Ovetari. In: (Eds. De Nicolò Salmazo A., Spiazzi A. M. & Toniolo D.) Andrea Mantegna e i Maestri della Cappella degli Ovetari (pp. 151 -153 and p. 295-297). Milano: Skira.
Consiglio Superiore per le Antichità e le Belle Arti presso il Ministero della Pubblica Istruzione (1932) Carta Italiana del Restauro. Roma.
Gasparri, C. & Paris, R. (Eds.) (2013) 286. Villa della Farnesina: stucchi del cubiculo B; 288. Villa della Farnesina: stucchi del cubiculo D; 297. Villa della Farnesina: stucchi del cubiculo E. In: Palazzo Massimo alle Terme: le collezioni, (pp. 399-400; pp. 403; pp. 414-415). Milano: Electa.
Neely, L. & Langer, M. (2013) Please Feel the Museum: The Emergence of 3D Printing and Scanning. In: (Eds. N. Proctor & R. Cherry) Museums and the Web 2013. Silver Spring (MD): Museums and the Web.
(online article, consulted in June 2018: https://mw2013.museumsandtheweb.com/paper/please-feel-the-museum-the-emergence-of-3d-printing-and-scanning/).
Pagano, M. (1996) La nuova pianta della città e di alcuni edifici pubblici di Ercolano. In: (Eds. Macchiaroli G.), Cronache Ercolanesi n°26, (pp. 229 ff.). Napoli: CISPE Marcello Gigante.
Pesando, F. & Guidobaldi, M. P. (2006) Pompei Oplontis, Ercolano, Stabiae. Bari: Laterza.
Russo, M., Remondino, F.; Guidi, G. (2011) Principali tecniche e strumenti per il rilievo tridimensionale in ambito archeologico. In: (Eds. Moscati P.) Archeologia e calcolatori n°22, (pp.169-198). Firenze: All’Insegna del Giglio.
Stanco, F., Battiato, S. & Gallo, G (2011) Digital Imaging for Cultural Heritage Preservation: Analysis, Restoration and Reconstruction of Ancient Artworks. New York: Taylor & Francis Group.
Torelli, M. (2004) La Basilica di Ercolano. Una proposta di lettura. In: (Eds. Baggio M., Colpo I., Salvo G.) Eidola n°1, (pp. 117-149). Pisa-Roma: Fabrizio Serra Editore.
http://vast-lab.org/3dicons/page.php?obj=541 (consulted in May 2018).
http://www.icr.beniculturali.it/documenti/allegati/RELAZIONE%20SUL%20RESTAURO%20DEI%20BUSTI%20DA%20PALMIRA.pdf.
http://www.treccani.it/enciclopedia/stucco_%28Enciclopedia-dell%27-Arte-Antica%29/.
http://www.unior.it/ateneo/11518/basilica-di-ercolano-video.html (consulted in May 2018).
Capasso, F. E., Castiello, F., Dichiara, S., Giandomenico, M., Iacopino, N., Maddalena, E., … Schiattone, S. (2019). RETHINKING MAIURI: ENHANCEMENT OF STUCCO FINDINGS FROM THE HERCULANEUM ARCHAEOLOGICAL PARK. Ochrona Dziedzictwa Kulturowego, (8), 53–64. https://doi.org/10.35784/odk.1043
Autorzy
Filippo Edoardo CapassoHigher School of Conservation and Restoration of the Cultural Heritage in Matera Włochy
https://orcid.org/0000-0001-7258-1703
Autorzy
Francesca CastielloHigher School of Conservation and Restoration of the Cultural Heritage in Matera Włochy
https://orcid.org/0000-0002-6075-5224
Autorzy
Simona DichiaraHigher School of Conservation and Restoration of the Cultural Heritage in Matera Włochy
https://orcid.org/0000-0002-4375-2742
Autorzy
Manuel GiandomenicoHigher School of Conservation and Restoration of the Cultural Heritage in Matera Włochy
https://orcid.org/0000-0001-6994-0453
Autorzy
Natalie IacopinoHigher School of Conservation and Restoration of the Cultural Heritage in Matera Włochy
https://orcid.org/0000-0001-6531-6426
Autorzy
Erika MaddalenaHigher School of Conservation and Restoration of the Cultural Heritage in Matera Włochy
https://orcid.org/0000-0002-0507-2121
Autorzy
Camilla MauriHigher School of Conservation and Restoration of the Cultural Heritage in Matera Włochy
https://orcid.org/0000-0001-6415-3426
Autorzy
Sokol MucaHigher School of Conservation and Restoration of the Cultural Heritage in Matera Włochy
https://orcid.org/0000-0002-6715-5969
Autorzy
Mariagiulia RoscignoHigher School of Conservation and Restoration of the Cultural Heritage in Matera Włochy
https://orcid.org/0000-0001-8047-5222
Autorzy
Sofia SchiattoneHigher School of Conservation and Restoration of the Cultural Heritage in Matera Włochy
https://orcid.org/0000-0002-9026-344X
Statystyki
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