QUALITY PARAMETERS IN CONSERVATION-RESTORATION CHOICES – THE CASE OF THE TOWER OF THE WINDS IN ATHENS
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Numer Nr 8 (2019)
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„OPEN FOR CONSERVATION”: LIVE EXPERIENCES
79-88
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THE ETHICAL PROBLEMS OF ARCHITECTURAL RECONSTRUCTION – HUNGARIAN CASE STUDIES
1-8
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ON PRINCIPLES AND OBJECTIVITY
9-14
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REFLECTION ON CONSERVATION-RESTORATION PRACTICE TODAY. A EUROPEAN PERSPECTIVE
15-28
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AFTER BRANDI – UMBERTO BALDINI AND THE MODERN THEORY OF CONSERVATION-RESTORATION IN ITALY
29-36
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PROFESSIONAL INTERDISCIPLINARY POSITION AND ROLE OF ACADEMIC CONSERVATOR-RESTORERS IN THEORY AND PRACTICE Methodical symbiosis and transdisciplinary cooperation using the example of the rebuilding and conservation of two Ottoman palaces in Istanbul
37-42
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INTEGRATION OF BRANDI’S THEORY IN THE CONTEXT OF EASTERN RELIGIONS AND CULTURES
43-52
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RETHINKING MAIURI: ENHANCEMENT OF STUCCO FINDINGS FROM THE HERCULANEUM ARCHAEOLOGICAL PARK
53-64
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THE METHODOLOGICAL APPROACH IN THE MANAGEMENT OF CONSERVATION DATA FOR STUCCO ARTIFACTS
65-72
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THE STUCCO DECORATION OF THE MONUMENTAL ARCH ON THE DECUMANUS MAXIMUS AT HERCULANEUM
73-78
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“CONSERVATION VERSUS RECONSTRUCTION.” DO WE NEED OTHER OR NEW CRITERIA FOR CONSERVING ARCHITECTURAL SURFACES OF THE 20THCENTURY?
89-102
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THE CONSERVATION-RESTORATION OF ARCHITECTURAL STATUARY IN ACCORDANCE WITH THE ETHICAL REQUIREMENTS FOR SCULPTURE AND ARCHITECTURE
103-112
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LUCIO FONTANA AND ARCHITECTURE
113-122
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AWARENESS OF MATERIALITY IN TIME AND CONDITION. THOUGHTS ON THE RELATION BETWEEN ART HISTORY AND CONSERVATION
123-138
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„BEFORE WE UNDERSTAND WHAT WE ARE DOING, WE NEED TO KNOW HOW WE THINK”
139-150
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THE TEMPLE OF EPICURIOUS APOLLO AT BASSAE: PRESERVE THE STONE OR UNCOVER ITS TRUE NATURE?
151-158
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GIOTTO’S STIGMATIZATION OF SAINT FRANCIS: AN APPROACH FOR THE RECONSTRUCTION OF THE IMAGE
159-174
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ETHICS AND BASIC PRINCIPLES OF RESTORING HISTORICAL STONE MONUMENTS
175-184
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PUBLIC ENGAGEMENT TOWARDS SUSTAINABLE HERITAGE PRESERVATION
185-210
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VIRTUAL CONSERVATION-RESTORATION VS. ACTUAL CONSERVATION-RESTORATION IN THE CONSERVATION OF FRAGMENTARY ARTEFACTS: THE CASE STUDY FRESCOES FROM SYBARIS - COPIA (ITALY)
211-222
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CONSERVATION-RESTORATION AND CONSERVATION SCIENCE - THE CHALLENGE OF TRANSDISCIPLINARITY
223-238
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QUALITY PARAMETERS IN CONSERVATION-RESTORATION CHOICES – THE CASE OF THE TOWER OF THE WINDS IN ATHENS
239-254
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ETHICAL CHALLENGES IN THE CONSERVATION OF THE WALL PAINTINGS OF CHAPEL 11 AT THE SACRO MONTE DI VARALLO
255-268
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UNITÉ DE DOCTRINE – CONTINGENCY OF PRACTICE? TOWARDS A RE-READING OF TWENTIETH CENTURY PRINCIPLES OF BUILDING HERITAGE CONSERVATION
269-280
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THE VOICE OF CONSERVATION-RESTORATION ON MULTI-DISCIPLINARY RESTORATION PROJECTS
281-290
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CONSERVATION ETHICS TODAY: ARE OUR CONSERVATION-RESTORATION THEORIES AND PRACTICE READY FOR THE TWENTY-FIRST CENTURY? INTRODUCTORY NOTES TO SOME CENTRAL ISSUES
291-300
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DEALING WITH AUTHENTICITY IN THE CONSERVATION AND RESTORATION OF WALL PAINTINGS AND ARCHITECTURAL SURFACES
301-324
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THE CONSERVATOR’S RESPONSIBILITY FOR THE DETERIORATION OF MONUMENTS
325-333
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The chemistry- and physics-based approach of conservation has led to the view that conservator-restorers use quantitative criteria which provide objective choices. Today, however, there is a shift of focus from material-centred to people-oriented approaches within the field of heritage preservation. This shift leads to a redefinition of the conservation-restoration field and its ethics in relation to society and calls for the adoption of diverse methodologies. Within this context, this paper discusses the qualitative factors which inform decision-making processes in conservation-restoration practice. More specifically, the paper examines the case of the so called “Tower of the Winds” in Athens and looks at the quality parameters which informed conservation-restoration work carried out at the Tower during 2014-2015. Overall, it is shown that the prominence of the quality parameters which inform contemporary conservation-restoration practice reveals the subjective dimension of conservation-restoration choices. The research has also showed that current trends tend to emphasize the historical rather than the aesthetic or other values of monuments.