AWARENESS OF MATERIALITY IN TIME AND CONDITION. THOUGHTS ON THE RELATION BETWEEN ART HISTORY AND CONSERVATION
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Published:
Dec 20, 2019
Issue No. 8 (2019)
Articles
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„OPEN FOR CONSERVATION”: LIVE EXPERIENCES
79-88
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THE ETHICAL PROBLEMS OF ARCHITECTURAL RECONSTRUCTION – HUNGARIAN CASE STUDIES
1-8
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ON PRINCIPLES AND OBJECTIVITY
9-14
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REFLECTION ON CONSERVATION-RESTORATION PRACTICE TODAY. A EUROPEAN PERSPECTIVE
15-28
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AFTER BRANDI – UMBERTO BALDINI AND THE MODERN THEORY OF CONSERVATION-RESTORATION IN ITALY
29-36
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PROFESSIONAL INTERDISCIPLINARY POSITION AND ROLE OF ACADEMIC CONSERVATOR-RESTORERS IN THEORY AND PRACTICE Methodical symbiosis and transdisciplinary cooperation using the example of the rebuilding and conservation of two Ottoman palaces in Istanbul
37-42
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INTEGRATION OF BRANDI’S THEORY IN THE CONTEXT OF EASTERN RELIGIONS AND CULTURES
43-52
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RETHINKING MAIURI: ENHANCEMENT OF STUCCO FINDINGS FROM THE HERCULANEUM ARCHAEOLOGICAL PARKq
53-64
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THE METHODOLOGICAL APPROACH IN THE MANAGEMENT OF CONSERVATION DATA FOR STUCCO ARTIFACTS
65-72
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THE STUCCO DECORATION OF THE MONUMENTAL ARCH ON THE DECUMANUS MAXIMUS AT HERCULANEUM
73-78
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“CONSERVATION VERSUS RECONSTRUCTION.” DO WE NEED OTHER OR NEW CRITERIA FOR CONSERVING ARCHITECTURAL SURFACES OF THE 20THCENTURY?
89-102
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THE CONSERVATION-RESTORATION OF ARCHITECTURAL STATUARY IN ACCORDANCE WITH THE ETHICAL REQUIREMENTS FOR SCULPTURE AND ARCHITECTURE
103-112
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LUCIO FONTANA AND ARCHITECTURE
113-122
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AWARENESS OF MATERIALITY IN TIME AND CONDITION. THOUGHTS ON THE RELATION BETWEEN ART HISTORY AND CONSERVATION
123-138
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„BEFORE WE UNDERSTAND WHAT WE ARE DOING, WE NEED TO KNOW HOW WE THINK”
139-150
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THE TEMPLE OF EPICURIOUS APOLLO AT BASSAE: PRESERVE THE STONE OR UNCOVER ITS TRUE NATURE?
151-158
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GIOTTO’S STIGMATIZATION OF SAINT FRANCIS: AN APPROACH FOR THE RECONSTRUCTION OF THE IMAGE
159-174
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ETHICS AND BASIC PRINCIPLES OF RESTORING HISTORICAL STONE MONUMENTS
175-184
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PUBLIC ENGAGEMENT TOWARDS SUSTAINABLE HERITAGE PRESERVATION
185-210
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VIRTUAL CONSERVATION-RESTORATION VS. ACTUAL CONSERVATION-RESTORATION IN THE CONSERVATION OF FRAGMENTARY ARTEFACTS: THE CASE STUDY FRESCOES FROM SYBARIS - COPIA (ITALY)
211-222
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CONSERVATION-RESTORATION AND CONSERVATION SCIENCE - THE CHALLENGE OF TRANSDISCIPLINARITY
223-238
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QUALITY PARAMETERS IN CONSERVATION-RESTORATION CHOICES – THE CASE OF THE TOWER OF THE WINDS IN ATHENS
239-254
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ETHICAL CHALLENGES IN THE CONSERVATION OF THE WALL PAINTINGS OF CHAPEL 11 AT THE SACRO MONTE DI VARALLO
255-268
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UNITÉ DE DOCTRINE – CONTINGENCY OF PRACTICE? TOWARDS A RE-READING OF TWENTIETH CENTURY PRINCIPLES OF BUILDING HERITAGE CONSERVATION
269-280
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THE VOICE OF CONSERVATION-RESTORATION ON MULTI-DISCIPLINARY RESTORATION PROJECTS
281-290
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CONSERVATION ETHICS TODAY: ARE OUR CONSERVATION-RESTORATION THEORIES AND PRACTICE READY FOR THE TWENTY-FIRST CENTURY? INTRODUCTORY NOTES TO SOME CENTRAL ISSUES
291-300
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DEALING WITH AUTHENTICITY IN THE CONSERVATION AND RESTORATION OF WALL PAINTINGS AND ARCHITECTURAL SURFACES
301-324
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THE CONSERVATOR’S RESPONSIBILITY FOR THE DETERIORATION OF MONUMENTS
325-333
Main Article Content
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Authors
Abstract
Art historical research needs to consider the materiality of artefacts, but the character of the material and the state of preservation of any object change over time. Today’s restoration and conservation sciences provide the basis for present research in the field of history of art and architecture. Following this premises and with some examples from current research projects our contribution tries to show how much the contemporary academic Art History can benefit from the material and technical knowledge of conservators.
Keywords:
Restoration, conservation ethics, art history, wall painting, sgraffito
Article Details
Huth, A., & Stahlbuhk, K. . (2019). AWARENESS OF MATERIALITY IN TIME AND CONDITION. THOUGHTS ON THE RELATION BETWEEN ART HISTORY AND CONSERVATION. Protection of Cultural Heritage, (8), 123–138. https://doi.org/10.35784/odk.1074