From scandal to style
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Contemporary German architecture in the context of selected philosophical literature
Aleksander Serafin005-013
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Contemporary architecture of high-rise buildings in Doha – the capital of Qatar
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Value creation in industrial heritage management. Evidence from the City of Paper (Fabriano, Italy)
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The value of museum communication: the cases of the Paper and Watermark Museum in Fabriano and the Ascoli Piceno Papal Paper Mill Museum in Ascoli Piceno
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Different everyday. Functioning of Venice as a city without cars
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Neovernacular architecture – genesis. From Erdmannsdorf to Pension „Maryja”
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Contemporary wooden architecture in search of free form
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From scandal to style
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Selected problems of protecting and managing historical ruins in Poland
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Structures of masonry walls in buildings of permanent ruin – causes of damage and methods of repairs
Bartosz Szostak195-207
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Degradation processes and the methods of securing wall crests
Maciej Trochonowicz; Bogusław Szmygin209-233
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Authors
Abstract
It is assumed, that the architecture of the ‘Age of Promotorism’, commonly called Grűnderzeit, was omnipresent in Germany in the years 1870-1920, i.e. longer than till the end of 1st World War, being the turning point of the 20th century. In Poland, Grűnderzeit style followed with only a small delay the influx and spread of technical progress and inventions from Germany. Dwellings of that time, commonly present in most Polish town centers, despite heavy demolition caused by the II World War, still constitute the oldest and most valuable part of town fabric, and are being considered the esthetic canon of historical multifamily housing relic. It is the intention of the author to deconstruct the term of ‘historism’ commonly used in Polish literature for practically any architectural form dating prior to modernism, isolating thereof the term of ‘Grűnderzeit’, and to reintroduce the meaning of Grűnderzeit as a more accurate term, based on historical background of 19th century Europe. It is also the aim to end the myths and the prejudice against the style of ‘Grűnderzeit’ viewed as unwelcomed German influence. An ungrounded belief, that the XIX century architecture in Poland had no roots in 19th century German architecture, has no reason and ground in the era of globalism.
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