Authenticity between pure theory and practical application – the barrier of words
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Issue No. 23 (2025)
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Alternative Views of Authenticity
The Case of Park Hill, SheffieldNigel Walter1-19 -
Understanding Heritage Conservation Challenges in Taiwan: Traditional Chinese Thinking Through Classical Texts
Chih-Wen Lan21-32
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Evaluating Authenticity in Heritage: A Quantitative Framework
Ayesha Agha Shah, Chandrasekara, Anila Naeem33-60
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Authenticity between pure theory and practical application – the barrier of words
Adrian Crăciunescu61-82
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In support of joint action: Methods for the effective cooperation of public authorities and non-conservation experts in the protection of the “modern” monuments of Thessaloniki
Dimitrios Zygomalas83-98
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Regeneration of urban cultural landscapes
Monisha Jain, Prafulla Parlewar99-119
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Authentic or not? Art historian's reflections on castle reconstructions in contemporary Poland
Lukasz Mikolaj Sadowski121-130
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Authenticity in S, M, L, XL scale of Thessaloniki
Sotiria Alexiadou131-144
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The basis of the theory of conservation as a prerequisite for its application
On the question of empirical knowledge of the practice of conservationVít Jesenský145-156 -
Changes in the status of authenticity in the analysis of the valuation of historical monuments
Karolina Zimna-Kawecka157-177
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analizaistoricoarhitecturala@gmail.com
Abstract
The theory on authenticity can generate disputes depending to the geographical and cultural space of those who define this concept. It seems, however, that this ideological dispute (see the Petzet-Araoz dialogue), tends to remain an abstraction related to the material and immaterial, ignoring some pragmatic elements that are at the root of the cultural misunderstandings related to the authenticity of heritage. I have selected three of them that I consider to be essential.
The first one is a linguistic component, in the context of the present prevalence of the English language over the French language (in which Venice Charter was conceived). The second aspect is related to the analysis criteria applied to the cultural models of today and not to those that were valid at the time when the assessed heritage elements were conceived. The third derives from the distinct character of the assessment of built heritage compared to the assessment of the movable or immaterial one.
The hypothesis of this article is that the word “authenticity” itself is the one at the root of the above mentioned cultural disputes and that it should be more often be replaced by “genuineness”.
Keywords:
References
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Articles and other publications:
Araoz, Gustavo, Protecting Heritage Places under the New Heritage Paradigm & Defining Its Tolerance for Change. A Leadership Challenge for ICOMOS, in: Conservation Turn - Return to conservation: Tolerance for Change, Limits of Change: Proceedings of the International Conferences of the ICOMOS, International Scientific Committee for the Theory and the Philosophy of Conservation and Restoration, 5-9 May 2010, Prague / Český Krumlov, Czech Republic, 3-6 March 2011, Florence, Italy, Edizioni Polistampa, Firenze, 2012.
Choay Françoise, Sept propositions sur le concept d'authencité et son usage dans les pratiques du patrimoine historique, in: Nara Conference on Authenticity, Japan, 1994, Unesco World Heritage Centre, Agency for Cultural Affairs, Proceedings, Tapir Publishing, Trondheim, 1995.
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Petzet, Michael, Conservation or management of change?, in: Conservation Turn - Return to conservation: Tolerance for Change, Limits of Change: Proceedings of the International Conferences of the ICOMOS, International Scientific Committee for the Theory and the Philosophy of Conservation and Restoration, 5-9 May 2010, Prague / Český Krumlov, Czech Republic, 3-6 March 2011, Florence, Italy, Edizioni Polistampa, Firenze, 2012.
Websites (in order of citation):
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Normative documents and doctrinal texts:
The Operational Guidelines for the Implementation of the World Heritage Convention, World Heritage Committee, available at: https://whc.unesco.org/en/guidelines/ .
Riga Charter on authenticity and historical reconstruction in relationship to cultural heritage (2000), ICCROM, available at: https://www.iccrom.org/sites/default/files/publications/2020-05/convern8_07_rigacharter_ing.pdf.
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Image credits
Fig. 1 – public domain, Hyeronimus Bosch, https://commons.wikimedia.org/wiki/File:The_Garden_of_earthly_delights.jpg.
Fig. 2 – public domain, Franciszek Smuglewicz, https://commons.wikimedia.org/wiki/File:Royal_Palace_of_Vilnius_in_XVIIIc._Lithuania.jpg.
Fig. 3 – own work.
Fig. 4 – unknown author, https://www.govilnius.lt/visit-vilnius/places/the-palace-of-the-grand-dukes-of-lithuania
Fig. 5 – Traveliştii, https://www.youtube.com/watch?v=-37wgIk_3IM , minute 3:51.
Fig. 6 - unknown author, https://www.pandurul.ro/articol/au-spus-da!-la-poarta-sarutului-de-dragobete_87626.html.
Fig. 7 – unknown author,
Fig. 8–10 – own works.
Fig. 11 – Gretar Markúson, Stefán Örn Stefánsson, https://www.thjodminjasafn.is/media/rannsoknir/1998-11-Eiriksstadir-i-Haukadal.pdf, p.29.
Fig. 12 - Efrat Nakash, www.EfratNakash.com.
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