„OPEN FOR CONSERVATION”: LIVE EXPERIENCES

Cobau Andreina Costanzi


Centro di Conservazione Archeologica di Roma (Italy)
https://orcid.org/0000-0001-8547-7374

Abstract

The need to show to the public issues related to conservation of cultural properties first became clear in the eighties during the great projects conducted in the Roman forum. Three major conservation innovations were introduced at that time: documentation became part of the contract specifications; consolidation was performed using slaked lime; the worksite scaffolding was opened to non-specialists. The way in which the documentation is realized is an indicator of the quality and professionalism of a program. This should incorporate a communication plan, to promote and raise awareness among the public about the instances related to the conservation of cultural heritage. This article addresses the communication principles applied to conservation interventions.


Keywords:

Conservation, communication, documentation, aperto per restauro, open for restoration

Cherchi, A. (2015, August, 24). Se lo sponsor è un gigante nuragico. Il Sole 24 Ore, p. 12.
Costanzi Cobau, A. (2014). Le sculture di Mont’e Prama. Roma: CCA 2014
Nardi, R. (2008). Conservation for presentation: a key for protecting monuments. In: Conservation and Access (pp. 1-5). IIC, London Congress 15-19 sept., 2008. London: IIC
Semeraro, G. (2009). Strumenti tradizionali e nuove tecnologie per la comunicazione. In: archeologia. Archeologia e Calcolatori, 20, pp. 85-94, Lecce.
de Guichen, G. & Perier d’Ieteren, C. (2009). Raising Awareness for Better Conservation. In: Museum International, Vol. 61, No. 3 UNESCO, pp. 98-105.
ICOM-CC (2008). Terminology to characterize the conservation of tangible cultural heritage. 15th Triennial Conference, 22-26 sept. New Delhi: ICOM-CC.
Tronchetti, C. & van Dommelen, P. (2005). Entangled objects and hybrid practices: Colonial contacts and elite connections at Monte Prama, Sardinia. In: Journal of Mediterranean Archaeology 18.2, pp. 183-208.
Costanzi Cobau, A. (2003). Il cantiere di restauro aperto al pubblico. In: Aperto per restauro, una parola per…, Roma: Electa.
Pye, E. (2001). Caring for the Past. London: James and James.
La Rocca, E. & Nardi, R. (1994). Preventive conservation and restoration: a matter of cost. In: Studies in Conservation, 39, Preventive Conservation: Practice, Theory and Research (pp. 24-27).
Nardi, R. (1982-84). L’Arco di Settimio Severo: indagini storiche e conservative. In: Rendiconti della Pontificia Accademia Romana di Archeologia (pp. 299-313), 1982-84, vol. LV-LVI. Roma: Pontificia Accademia Romana di Archeologia.
Download


Published
2019-12-20

Cited by

Costanzi , C. A. (2019). „OPEN FOR CONSERVATION”: LIVE EXPERIENCES. Protection of Cultural Heritage, (8), 79–88. https://doi.org/10.35784/odk.904

Authors

Cobau Andreina Costanzi  

Centro di Conservazione Archeologica di Roma Italy
https://orcid.org/0000-0001-8547-7374

Statistics

Abstract views: 297
PDF downloads: 201