THE VOICE OF CONSERVATION-RESTORATION ON MULTI-DISCIPLINARY RESTORATION PROJECTS
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Issue No. 8 (2019)
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„OPEN FOR CONSERVATION”: LIVE EXPERIENCES
Cobau Andreina Costanzi79-88
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THE ETHICAL PROBLEMS OF ARCHITECTURAL RECONSTRUCTION – HUNGARIAN CASE STUDIES
Ádám Arnóth1-8
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ON PRINCIPLES AND OBJECTIVITY
Wolfgang Baatz9-14
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REFLECTION ON CONSERVATION-RESTORATION PRACTICE TODAY. A EUROPEAN PERSPECTIVE
Stefan Belishki, Susan Corr15-28
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AFTER BRANDI – UMBERTO BALDINI AND THE MODERN THEORY OF CONSERVATION-RESTORATION IN ITALY
Giorgio Bonsanti29-36
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PROFESSIONAL INTERDISCIPLINARY POSITION AND ROLE OF ACADEMIC CONSERVATOR-RESTORERS IN THEORY AND PRACTICE Methodical symbiosis and transdisciplinary cooperation using the example of the rebuilding and conservation of two Ottoman palaces in Istanbul
Jörg Breitenfeldt37-42
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INTEGRATION OF BRANDI’S THEORY IN THE CONTEXT OF EASTERN RELIGIONS AND CULTURES
Francesca Capanna43-52
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RETHINKING MAIURI: ENHANCEMENT OF STUCCO FINDINGS FROM THE HERCULANEUM ARCHAEOLOGICAL PARKq
Filippo Edoardo Capasso, Francesca Castiello, Simona Dichiara, Manuel Giandomenico, Natalie Iacopino, Erika Maddalena, Camilla Mauri, Sokol Muca, Mariagiulia Roscigno, Sofia Schiattone53-64
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THE METHODOLOGICAL APPROACH IN THE MANAGEMENT OF CONSERVATION DATA FOR STUCCO ARTIFACTS
Filippo Edoardo Capasso, Francesca Castiello, Simona Dichiara, Manuel Giandomenico, Natalie Iacopino, Erika Maddalena, Camilla Mauri, Sokol Muca, Mariagiulia Roscigno, Sofia Schiattone65-72
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THE STUCCO DECORATION OF THE MONUMENTAL ARCH ON THE DECUMANUS MAXIMUS AT HERCULANEUM
Marina Caso73-78
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“CONSERVATION VERSUS RECONSTRUCTION.” DO WE NEED OTHER OR NEW CRITERIA FOR CONSERVING ARCHITECTURAL SURFACES OF THE 20THCENTURY?
Thomas Danzl89-102
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THE CONSERVATION-RESTORATION OF ARCHITECTURAL STATUARY IN ACCORDANCE WITH THE ETHICAL REQUIREMENTS FOR SCULPTURE AND ARCHITECTURE
Camille De Clercq, Judy De Roy103-112
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LUCIO FONTANA AND ARCHITECTURE
Barbara Ferriani113-122
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AWARENESS OF MATERIALITY IN TIME AND CONDITION. THOUGHTS ON THE RELATION BETWEEN ART HISTORY AND CONSERVATION
Andreas Huth, Katharine Stahlbuhk123-138
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„BEFORE WE UNDERSTAND WHAT WE ARE DOING, WE NEED TO KNOW HOW WE THINK”
Dörthe Jakobs139-150
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THE TEMPLE OF EPICURIOUS APOLLO AT BASSAE: PRESERVE THE STONE OR UNCOVER ITS TRUE NATURE?
Eva Kapadoukaki, Michail Soumas151-158
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GIOTTO’S STIGMATIZATION OF SAINT FRANCIS: AN APPROACH FOR THE RECONSTRUCTION OF THE IMAGE
Maria Rosa Lanfranchi159-174
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ETHICS AND BASIC PRINCIPLES OF RESTORING HISTORICAL STONE MONUMENTS
Jadwiga W. Łukaszewicz175-184
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PUBLIC ENGAGEMENT TOWARDS SUSTAINABLE HERITAGE PRESERVATION
Helia Marcal185-210
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VIRTUAL CONSERVATION-RESTORATION VS. ACTUAL CONSERVATION-RESTORATION IN THE CONSERVATION OF FRAGMENTARY ARTEFACTS: THE CASE STUDY FRESCOES FROM SYBARIS - COPIA (ITALY)
Sokol Muca211-222
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CONSERVATION-RESTORATION AND CONSERVATION SCIENCE - THE CHALLENGE OF TRANSDISCIPLINARITY
Mechthild Noll-Minor223-238
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QUALITY PARAMETERS IN CONSERVATION-RESTORATION CHOICES – THE CASE OF THE TOWER OF THE WINDS IN ATHENS
Maria Papadopoulou, Andromache Gazi239-254
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ETHICAL CHALLENGES IN THE CONSERVATION OF THE WALL PAINTINGS OF CHAPEL 11 AT THE SACRO MONTE DI VARALLO
Francesca Piqué, Giacinta Jean255-268
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UNITÉ DE DOCTRINE – CONTINGENCY OF PRACTICE? TOWARDS A RE-READING OF TWENTIETH CENTURY PRINCIPLES OF BUILDING HERITAGE CONSERVATION
Andreas Putz269-280
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THE VOICE OF CONSERVATION-RESTORATION ON MULTI-DISCIPLINARY RESTORATION PROJECTS
Tanja Røskar281-290
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CONSERVATION ETHICS TODAY: ARE OUR CONSERVATION-RESTORATION THEORIES AND PRACTICE READY FOR THE TWENTY-FIRST CENTURY? INTRODUCTORY NOTES TO SOME CENTRAL ISSUES
Ursula Schädler-Saub291-300
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DEALING WITH AUTHENTICITY IN THE CONSERVATION AND RESTORATION OF WALL PAINTINGS AND ARCHITECTURAL SURFACES
Ursula Schädler-Saub301-324
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THE CONSERVATOR’S RESPONSIBILITY FOR THE DETERIORATION OF MONUMENTS
Bogusław Szmygin325-333
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Abstract
As conservator-restorers we should be „a voice of reason”, an advocate that speaks for the cultural heritage values of our built heritage. However, we are often only one voice in a large group consisting of everything from structural engineers, geologists and carpenters to economic advisors and bureaucrats. Being a conservator-restorer in such settings often turns out to be a great balancing act. On the one hand, we are supposed to protect the buildings against any intervention that will compromise its authenticity and cultural values. On the other hand, we must allow as much protective work as possible to ensure the buildings’ future. Questions that can arise for a conservator-restorer during and after discussions in multi-disciplinary groups are many. Questions that needs answering before work starts. Are the conservator-restorer and the master craftsperson really on each end of the scale in a project, or is it just that we use different words? Is it conservation ethics versus the practical view of the engineer, or can both sides be pragmatic and find a new and possibly better solution? Is it possible that the conservator-restorer and the funding body can meet in the middle, or can that jeopardize the project?
Keywords:
References
English Heritage (2008). Conservation principles policies and guidance for the sustainable management of the historic environment. English Heritage.
Muñoz Viñaz, S. (2005): Contemporary Theory of Conservation. Oxford: Elsevier Butterworth-Heinemann.
Røskar, T. (2010). Enghavehuset – restaurering av hus og hage. Aust-Agder museet. Internal report.
The Venice Charter. International Charter for the Conservation and Restoration of Monuments and Sites (1964). In: MONUMENTA I, Internationale Grundsätze und Richtlinien der Denkmalpflege/Principes et directives internationaux pour la conservation/International Principles and Guidelines of Conservation (pp. 47-52), herausgegeben von/édités par/edited by ICOMOS Deutschland, ICOMOS Luxemburg, ICOMOS Österreich, ICOMOS Schweiz (2012). Stuttgart: Fraunhofer IRB Verlag.
Article Details
Tanja Røskar, Multiconsult, Rigedalen 15, 4626 Kristiansand, Norway
Conservator/advisor, Multiconsult, Rigedalen 15, 4626 Kristiansand, Norway
